Billy Idol was an early architect of the sound, style, and fury of punk rock. His lip- curling sneer and fist-pumping personavaulted him into the mainstream as one of MTV’s firstmegastars, making him one of the most recognizable faces in pop music, while selling out arenas everywhere he played. He has sold 40 million albums while scoring numerous platinum albums worldwide, nine top forty singles in the U.S. and 10 inthe U.K. including “Dancing With Myself, “White Wedding,” “Rebel Yell,” “Mony Mony,” “Eyes Without A Face,” “Flesh For Fantasy,” and “Cradle Of Love.”
Billy was responsible for some of punk rock’s most memorable,literate, and evocative moments and created a pioneering newsound by bringing the spirit of ’77 to the dance floor, going on to fashion an immediately identifiable musical blueprint that integrates club-land throb, rockabilly desperation, androck’n’roll decadence.
Idol returned to the spotlight in the fall of 2014 with two high profile releases that marked the latest chapter in the long and remarkable story of a musician, an inventor, a survivor, a father, a son, a man who returned from the brink, and a rebel whose yells made the mainstream sit up and pay attention.
Idol’s New York Times bestselling autobiography Dancing With Myself is an electric, intelligent, brutally honest and entirely self-written account of Billy Idol’s journey to fame, from hisearly days as front man of the pioneering UK punk band Generation X to a long and often decadent life lived loving sex, drugs, rock’n’roll, and motorcycles.
Kings & Queens of the Underground was Billy’s first album of new material in nearly a decade. The album’s palette, which includes incredible contributions from Idol’s longtime